Literary Criticism MCQs with Answers
Literary Criticism MCQs with Answers
- Aristotle and plato belonged to ________ Phase of criticism.
- "SYMPOSIUM" WAS WRITTEN BY
- Who proposed that poets should be
Banished from ideal republic. - ACCORDING TO PLATO, WHAT IS THE MORAL
PURPOSE OFART? - How does Literary Theory resemble the practice of philosophy as it was developed by plato and Aristotle?
- Modern Literary Theory Began with the work of which the orist?
- What is mimesis?
- What is the main function of literary theory?
- Which of the following best describe the difference between literary criticism and literary theroy?
- Which of the following literary the orists is most closely associated with the concept that became known as liberarl humanism?
- Which theorist is most closely associated with the idea of artas imitation?
- What is Humanism?
- Which school of literary theroy shows a particular intersest in the role of testimony in literature?
- DETRACTORS ARGUE THAT SUCH AN APPROACH CAN BETOO
JUDGMENTAL." SOME BELIEVE LITERATURE SHOULD BE JUDGED
PRIMARILY (IF NOT SOLELY) ON ITS ARTISTIC MERITS. WHAT
APPROACH POSSESS THIS DISADVANTAGE? - Plato used the word mimesis in Relation to literature with the meaning?
- Horace was a ______________.
- IN DRYDEN'S ESSAY OF DRAMATIC POESY THERE ARE FOUR
INTERLOCUTERS REPRESENTING FOUR DIFFERENT IDEOLOGIES.
WHICH OFTHEM EXPRESSES DRYDEN'S OWN VIEWS? - What do many conemporary theorists find peroblematic about the literary canon?
- What did sigmund freud believe about the unconscious?
- In her Essay "The poem as Event," Louise M.Rosenblatt seesthe reader as performing what function?
- How did the new critics view literature?
- What do structuralist and formalist crtics have in common?
- What is avvective fallacy?
- Which of the following descriptions best defines the literary theory known as formalism?
- Which of the following figures is considered to be the father of the ligusitic theory known as structuralism?
- Which of the followinf texts is the best example of the argument that a work's meaning does not come entirely from the imagination of the author?
- Which of the following texts provides the best example of defamiliarization?
- Which of the following theorists is associated with formalism?
- Which school of literary theory is associated with the pharese " To make the Stones Sonier"?
- What is the central idea of FERDINAND DE
SAUSSURE'S course in general lingusistics? - ACCORDING TO JACQUES LACAN, THE MIRROR STAGE
ISTHE POINT AT WHICH A CHILD: - TO WHAT IDEA DOES THE ANCIENT GREEK TERM
APORIA REFER IN TERMS OF DECONSTRUCTION THEORY? - ULTIMATELY, THE LITERARY THEORY OF
DECONSTRUCTION ARGUES THAT: - THE MOST IMPORTANT ELEMENT OF A
TRAGEDY, IN ARISTOTLE'S VIEW, IS - WHICH ACADEMY COLLEAGUE LEFT WITH ARISTOTLE
AFTER PLATO'S DEATH AND ACCOMPANIED HIM IN SOME
OF HIS TRAVELS? - ARISTOTLE IS CONSIDERED THE FOUNDER
OF WHAT? - WHO MADE A DIFFERENCE BETWEEN POETRY' AND 'POEM
- WORDS wORTH'S PREFACE TO THE LYRICAL BALLADS IS
BELIEVED TO BETHE PREAMBLE TO ROMANTIC CRITICISM. IN WHICHYEAR WAS IT PUBLISHED? - GYNOCRITICISM' IS ASSOCIATED WITH
- THE END OFWRITING IS TO INSTRUCT, THE
END OF POETRY IS TO INSTRUCT BY PLEASING."
WHOSE VIEW IS THIS? - POETIC DICTION WAS TAKEN TO BETHE
STANDARD LANGUAGE FOR POETRY IN: - THE TERM ELECTRA COMPLEX HAS ORIGINATED
FROMATRAGEDY ENTITLED ELECTRA. WHO IS
THE AUTHOR OF THIS TRAGEDY? - WHO REMARKED, "NO SPENSER NO
LANGUAGE." - WHO WAS THE MOST ILLUSTRIOUS DISCIPLE OF SOCRATES?
- ARISTOTLE BELIEVED, unlike PLATO that art is
- ACCORDING TO ARISTOTLE, TRAGEDY CAME FROM THE EFFORTS OF
POETSTO PRESENT MEN AS 'NOBLER,' OR 'BETTER'THANTHEY ARE IN ___________. - COMEDY, ON THE OTHER HAND, SHOWSA 'LOWER TYPE'
OF PERSON, AND REVEALS HUMANS TO BE _________ THAN THEY ARE IN AVERAGE - ARISTOTLE LAYS OUT ELEMENTS OF
TRAGEDY - 6 ELEMENTS ARE PLOT, CHARACTER,
DICTION, THOUGHT, AND SONG. - ACCORDING TO ARISTOTLE, PLOT IS THE
OF TRAGEDY - ACCORDING TO ARISTOTLE, PLOT MUST
HAVE ________. - CORDING TO ARISTOTLE, PERIPATETIA
MEANS _____. - _______ is an Ironic twist or change by which the mainaction of the story comes full circle.
(a) Greco-Roman
(b) Hellenistic
(c) Renaissance
(d) Romantic
(b) Hellenistic
(a) Greco-Roman
(b) Hellenistic
(c) Renaissance
(d) Romantic
(b) Hellenistic
(a) Aristotle
(b) Plato
(c) Socrates
(d) Dr. Johnson
(b) Plato
(a) To connect human beings with a higher ideal
(b) To entertain those who enjoy it
(c) To criticize society through satire
(d) To bring to light social oppressions
(e) All of the above answers are correct.
(a) To connect human beings with a higher ideal
(a) Literary theory engages with theoretical rather than real-World isues.
(b) Literary theory asks fundamental questions about,literary interpretation, and at the same time builds specific systems of literary interpretation.
(c) Literary theory relies totally on speculation rather than history.
(d) Literary theory is detached from the reality of politics the economy.
(e) All of the above answers are correct
(b) Literary theory asks fundamental questions about,literary interpretation, and at the same time builds specific systems of literary interpretation.
(a) Claude Lévi-Strauss
(b) Ferdinand de Saussure
(c) Viktor Shklovsky
(d) Roland Barthes
(e) Michel Foucault
(b) Ferdinand de Saussure
WHAT IS MIMESIS?
(a) A reversal
(b) An imitation
(C) A satire
(d) A poetic metaphor
(e) A spectacle
(b) An imitation
(a) To understand the importance of the formal elementS of literary structure
(b) To formulate relationships among an author, a reader, and a literary work
(c) To understand the role of sexuality, gender, rate and ethnicity in literary study
(d) To evaluate the role of historical context in the interpretation of iterature
(e) All of the above answers are correct
(e) All of the above answers are correct
(a) Literary criticism is concerned only with the meaning ofa literary
work, while literary theory is concerned only with the structure of a
literary work.
(b) Literary criticism draws upon research derived from sources outside
literature, while literary theory draws upon sources within a text.
(c) Literary critiçism is concerned with how characters in a text act, while
literary theory is concerned with why characters act.
(d) Literary theory is concerned with the method used to interpret a
work, while literary criticism is the application of literary theory.
(e) All of the above answers are correct
(d) Literary theory is concerned with the method used to interpret a
work, while literary criticism is the application of literary theory.
(a) Aristotle
(b) Viktor Shklovsky
(c) Cleanth Brooks
(d) Stanley Fish
(e) Toni Morrison
(a) Aristotle
(a) Jacques Derrida
(b) Jacques Lacan
(c) Edward Said
(d) Stephen Greenblatt
(e) Plato
(e) Plato
(a) An idea traditionally associated with the Renaissance
(b) A humanity-centered view of the universe
(C) A school of theory devoted to the revival of Classical (ancient Greek and Roman) literature
(d) A theory that values restraint, form, and imitation
(e) All of the above answers are correct.
AUte
(e) All of the above answers are correct.
(a) Trauma theory
(b) Ecotheory
(c) Chaos theory
(d) Formalism
(e) Marxist theory
(a) Trauma theory
(a) Psychological
(b) Formalism/New Criticism
(c) Moral/Philosophical
(d) Historical/Biographical
(c) Moral/Philosophical
(a) Copying
(b) Criticism of life
(c) Representation
(d) Interpretation
(a) Copying
(A) Greek writer
(B) Roman Writer
(C) Italian writer
(D) English writer
(B) Roman Writer
(A) Lisideius
(B) Eugenius
(C) Neander
(D) Crites
(C) Neander
(A) It includes too few works by non- European writers.
(B) It includes too few works by non-white writers.
(C) It includes too few works by women.
(D) All of the above answers are correct.
(D) All of the above answers are correct
(a) a. It contains secret instincts and desires that are repressed.
(b) It is the only significant aspect of the human psyche.
(c) It can never be accessed.
(d) All of the above answers are correct.
(d) All of the above answers are correct
(a) The reader participates in a transaction with the text.
(b) The reader is acted upon by the text.
(c) The reader acts upon the text.
(d) All of the above answers are correct.
(d) All of the above answers are correct
(a) As an aesthetic object that is independent of historical context
(b) As an aesthetic object that is influenced by historical context
(c) As a historical object that is also aesthetid
(d) As a historical object that is not necessarily aesthetic
(a) As an aesthetic object that is independent of historical context
(a) Both sets of critics reject the importance of historical context in studying literature.
(b) Both sets of critics look for an objective way to view texts.
(c) Both sets of critics study the underlying forms of texts.
(d) Both sets of critics focus on evaluating literature in a scientific
manner.
(e) All of the above answers are correct.
(e) All of the above answers are correct.
(a) A term first used by literary theorists William Wimsatt and Monroe Beardsley
(b) A term that suggests that a critic should study the structural and thematic elements of a poem rather than the effect it has on the emotions of the reader
(C) A term that describes the confusion between a poem and its result
(d) An important term in the field of New Histaicisa
(e) All of the above answers are correct
(e) All of the above answers are correct
(a) An approach that emphasizes literary devices in a text
(b) An approach that emphasizes the historical context of a text
(c) An approach that emphasizes the biographical intent of text
(d) An approach that emphasizes racial issues in a text
(e) An approach that emphasizes the representatiern of the economy in a text
(a) An approach that emphasizes literary devices in a text
(a) Cleanth Brooks
(b) Ferdinand de Saussure
(c) Karl Marx
(d) Sigmund Freud
(e) Toni Morrison
(b) Ferdinand de Saussure
(a) Plato's The Republic
(b) T.S. Eliot's "Tradition and the Individual Talent"
(C) Jacques Derrida's Of Grammatology
(d) Roland Barthes's "The Death of the Author"
(e) Jacques Lacan's "The Mirror Stage... "
(b) T.S. Eliot's "Tradition and the Individual Talent"
(a) Aristotle's Poetics
(b) Leo Tolstoy's The Kreutzer Sonata
(c) John Keats's "Ode on a Grecian Urn"
(d) Joseph Conrad's Heart of Darkness
(e) W.E.B. Du Bois's The Souls of Black Folk
(b) Leo Tolstoy's The Kreutzer Sonata
(a) Viktor Shklovsky
(b) Cleanth Brooks
(c) Terry Eagleton
(d) Judith Butler
(e) Mikhail Bakhtin
(a) Viktor Shklovsky
(a) Humanism
(b) Formalism
(c) Structuralism
(d) Poststructuralism
(e) Marxism
(b) Formalism
(a) Language is inseparable from its historical context.
(b) There are five phases of linguistic development.
(c) Language can be analyzed as a formal system elements.
(d) Linguistics is too complicated to be distilled to a formula.
(e) All of the above answers are correct.
(c) Language can be analyzed as a formal system elements.
(a) refuses maternal bonds.
(b) is able to separate the "" from the "Other."
(c) looks into a mirror for the first time.
(d) first engages with speech.
(e) All of the above answers are correct.
(b) is able to separate the "" from the "Other."
(a) The ability of a text to contain truth
(b) The "undecidability" and essentially unstable nature of a text
(c) The idea that a text has a specific meaning that be understood through a process of deconstructid
(d) Jacques Derrida's style of writing
(e) All of the above answers are correct.
(b) The "undecidability" and essentially unstable nature of a text
(a) the meaning of a text always relies on context.
(b) texts are always heterogeneous.
(C) the instability of a text is actually evident in the text itself.
(d) any system for the production of meaning is inevitably bound by context, yet also limitless.
(e) All of the above answers are correct
(e) All of the above answers are correct
(a) Catharsis
(b) Plot
(c) Characters
(d) Diction
(b) Plot
(A) Xenocrates
(B) Antipater
(C) Pixodarus
(D) Hermeias
(A) Xenocrates
(A) Modern Biology
(B) Modern Physics
(C) Modern Chemistry
(D) Modern Anatomy
(A) Modern Biology
(A) Coleridge
(B) Addison
(C) Arnold
(D) None
(A) Coleridge
(A) 1798
(B) 1800
(C) 1801
(D) 1802
(B) 1800
(A) Elaine Showalter
(B) Ellen Moors
(C) Julia Kristeva
(D) Kate Millet
(A) Elaine Showalte
(A) Wordsworth's
(B) Coleridge's
(C) Dr. Johnson's
(D) Matthew Arnold's
(C) Dr. Johnson's
(A) The Elizabethan Age
(B) The Neo- Classical Age
(C) The Romantic Age
(D) The Victorian Age
(B) The Neo- Classical Age
(A) Aeschylus
(B) Sophocles
(C) Euripides
(D) Seneca
(B) Sophocles
(A) Pope
(B) Arnold
(C) Dr. Johnson
(D) Ben Jonson
(D) Ben Jonson
(A) Sophocles
(B) Plautus
(C) Plato
(D) Critus
(C) Plato
(a) Greco-Roman
(b) Imitation
(c) Classic
(d) Romantic
(b) Imitation
(a) Imagination
(b) Real Life
(c) Heaven
(d) Hades
(b) Real Life
(a) Better
(b) Greater
(c) Worse
(d) Romantic
(c) Worse
(a) 2
(b) 6
(c) 8
(d) 10
(b) 6
(a) Theme
(b) Story
(c) Spectacle
(d) Review
(c) Spectacle
(a) Theme
(b) Story
(c) Soul
(d) Review
(c) Soul
(a) Beginning, Middle, End
(b) Middle, End
(c) Beginning, Middle
(d) Beginning, End
(a) Beginning, Middle, End
(a) Reversal
(b) Discovery
(c) Song
(d) Situation
(a) Reversal
(a) Reversal
(b) Discovery
(c) Song
(d) Situation
(a) Reversal
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